Prints made by someone who hangs their own on the wall.

Fine-art printing for photographers and artists. You bring the file. I bring the paper, ink, and judgment.

I’ve exhibited my own work at Rouge Gallery in Calgary, so I know what a gallery-ready print needs. As seen in Avenue Calgary, Alberta Views, City Style and Living, and a Drytac case study. See the press.

Mounted fine-art print of a gnarled tree at sunset

Art reproduction and artist proofs

I help artists turn original work into prints that hold up next to the real thing. It starts with capturing the piece, either in my studio or on-site where the art lives. Then I colour-correct the file against the original, so the print comes as close as possible to the colours you actually put down.

  • Capture: high-resolution photography of your original, lit to show true colour and texture.
  • Colour correct: I compare the file to the original and adjust until they match.
  • Artist proof: you see a proof print and sign off before anything else is printed.
  • Reproductions: prints on Moab and Epson fine art papers, cotton rag or canvas, in whatever run you need.

Why print here

I print my own layered work on the same equipment. Colour, edge, and material aren’t abstract to me — they’re what the art depends on.

I also make custom photographic books and exhibition prints when the project calls for them. My past work includes epoxy-coated canvas, cold-pressed cotton, and aluminum.

What I print on:

  • Cold-pressed cotton rag (fine art)
  • Moab fine art papers (Slickrock)
  • Epson fine art papers
  • Premium lustre photo paper
  • Canvas
  • Poster paper
  • Banner
  • Duratrans backlit film for lightbox displays
  • Decals
  • Screen printing: fabric, nylon, cotton, polyester, etc.
Nikon Z9 on a tripod capturing an original painting under studio lights
Captured
The finished fine-art print of the painting, framed on a wall
Printed

Screen printing and apparel

Tees, hoodies and totes for bands, brands and my own Saskasquatch apparel line. See Saskasquatch

Signed mounted landscape prints

Preparing your files

Good file setup is the key to the best print. Get it right and turnaround can be as quick as 24 hours.

  • Resolution: 300 ppi at the final print size is ideal. For large pieces viewed from a distance, like posters, banners and wall graphics, 150 ppi at full size works well.
  • File types: TIFF is preferred (flattened, 8 or 16 bit). High-quality JPEG, PDF and PSD files are also fine. For decals and cut vinyl, send vector files (AI, EPS, SVG or PDF) with text outlined.
  • Colour: Adobe RGB (1998) with the profile embedded is preferred, and sRGB is fine too. I don’t accept CMYK files.
  • Size: Send files at the final print size or the exact proportions. Add 1/8 inch of bleed on each edge for full-bleed prints, and about 2 inches extra on each side for gallery-wrapped canvas.
  • Don’t upscale: Please don’t enlarge a low-resolution image to hit 300 ppi. Send the original and I’ll tell you how big it can print.
  • Large files: Upload them through the link on the quote form.

Not sure your file is ready? Send it with your quote request and I’ll check it before anything prints.


Also available

Mugs, notepads, shirts, and other substrates on request — capability, not the main offer. Ask if you need something outside fine-art papers.

  • Brushed aluminum
  • PhotoTex adhesive wall fabric
  • Lamination (including 10 mil premium laminate)
  • Drytac mounting and laminating films

The brands


Bring the work. I’ll print it like it matters.