Layered. Moody. Built to catch light.

My mixed-media work brings photography together with epoxy, aluminum, barn wood, salvaged frames, chrome, and drips.

Okanagan commission

A commissioned piece for a home in the Okanagan. Printed on brushed aluminum, mounted to polystyrene sheet, and finished with a 10 mil premium laminate. 43 × 58.

Okanagan lake sunset commission on brushed aluminum, shown in a brushed-metal frame
Side view of the Okanagan commission on standoffs
Back of the Okanagan commission frame
Stainless standoff mounting detail

The work

My style is layered and complex. I bring print knowledge and photography together with industrial materials — metal, wood, flood coats, and side drips. I make the pieces to be seen in person and under changing light.

Prairie storm print, 60 x 40 inches, hung between reclaimed barn-wood beams on threaded rods
Prairie storm, 60″ x 40″ print on roughly 70″ of reclaimed barn wood.
Panoramic print in rustic wood frame
Panoramic photograph of an old one-room schoolhouse interior, printed and mounted in a charred reclaimed-wood frame
Schoolhouse panorama, mounted in a charred reclaimed-wood frame. Sold at my Rouge Gallery show.

Selected work

I build deep box frames in the studio, and print and assemble them by hand.


I show a curated launch set. Availability changes, so ask before assuming a piece is for sale.

Introspection Intersection

My handmade prints have been shown in galleries across Canada — on epoxy-coated canvas, cold-pressed cotton, and aluminum.

Northern Lights print on wood wall

Furniture and objects

I have made pieces such as a vintage door desk and other hand-built objects. I show them as curated work, not a shop inventory.

Vintage Door Desk

I poured epoxy over an old French window and set it on a frame built from reclaimed wood.

french window epoxy desk

Crate wine rack

I turned a vintage soda crate into a wine rack on turned legs.


Commissions

I start commissions with a conversation about the subject, materials, scale, and where the piece will live. I don’t publish a fixed menu of finishes; the materials follow the idea.


My art is the proof of the craft behind every print job in my studio.